So, just fyi, I’ll be off next week for good behavior, and return again on Monday, Oct. 15.
In the meantime, if you’d like to do some reading related to theatre, art-making, feminism, vulnerability or empathy, see the list of five below. I’d love to know if you have reactions to any of these. They are definitely some of my favorites for wheels turning and inspiration sparking.
Send me your thoughts and your inspirations too. I’d love your recommendations.
#1. The other four on this list are links to online posts, but the first one is a book (you might have heard about) titled How to Be a Woman by Caitlin Moran. Read this book. You will laugh, you will be stopped in your tracks, and your eyebrows will be singed with fierce feminist commentary. (Beware, however, you’ll need a high tolerance for vulgarity, sex talk, and British slang.) Moran, hailed as the ‘the British version of Tina Fey’ made me giggle and gasp with her straight-talking, as well as inspiring a surge of righteous anger about the world we live in today. A great read. Apparently, she has a new book coming out too, and I am excited.
Here’s the blurb:
There’s never been a better time to be a woman: we have the vote and the Pill, and we haven’t been burnt as witches since 1727. However, a few nagging questions do remain…
Why are we supposed to get Brazilians? Should you get Botox? Do men secretly hate us? What should you call your vagina? Why does your bra hurt? And why does everyone ask you when you’re going to have a baby?
Part memoir, part rant, Caitlin Moran answers these questions and more in How To Be A Woman – following her from her terrible 13th birthday (‘I am 13 stone, have no friends, and boys throw gravel at me when they see me’) through adolescence, the workplace, strip-clubs, love, fat, abortion, TopShop, motherhood and beyond.
#2. A very long, but amazing keynote speech by Polly Carl at the online journal, Howl Round: Finding the Gift and Making Theater for Everyone. If you are a theatre-maker, you should read it, and let’s talk.
During my fifteen years of making new plays, I’ve watched our field become more obsessed with the transactional and less obsessed with making good art. If I’m here for no other reason today, it’s to push you as artists and people who love the theater to rethink this momentum.
#3. From 2010, but still relevant and fabulous, Lauren Gunderson’s A Openly Optimistic Letter to Performing Artists Freaking Out About Relevance During Hard Times. It’s a call to arms and a reminder of the necessity of storytelling for illustrating and shaping the world we strive to create.
Don’t let people say “art is escapism” and think that our feelings are hurt. Let us say, “We’re not escaping life, we’re stepping out to remember what life we want.” We imagine a new world so that we may see it first, then we set it right.
This is how we, the artists and producers and patrons of a rich and powerful country, are essential. And we are. This is how we, the masons of storytelling, engineers of myth and meaning hold up a nation to itself.
It is not weakness, and the uncertainty we face every day is not optional, whether with our families or with our careers. Our only choice is a question of engagement. Our willingness to own our vulnerability determines the depth of our courage, the clarity of our purpose and the fullness of our life. As Madeleine L’Engle writes, “When we were children, we used to think that when we were grown-up we would no longer be vulnerable. But to grow up is to accept vulnerability . . . To be alive is to be vulnerable.”
#5. An old favorite of mine about the power of babies: Fighting Bullying with Babies, a NY Times post by David Bornstein.
The baby seems to act like a heart-softening magnet. No one fully understands why. Kimberly Schonert-Reichl, an applied developmental psychologist who is a professor at the University of British Columbia, has evaluated Roots of Empathy in four studies. “Do kids become more empathic and understanding? Do they become less aggressive and kinder to each other? The answer is yes and yes,” she explained. “The question is why.”
Wishing you all the best. Happy Autumn!