Going solo: a bumpy ride

Welcome to my learning curve!

Ten days ago, I launched my first ever interview podcast via the Artist Soapbox. Today, I published my first solo podcast! WOOT. In the solo episode, I discuss three ways to support a creative process (based on my conversation with Mara Thomas in Episode 001) and I answer FAQs about Artist Soapbox. The episode clocks in at a lean 16 minutes and is clean for kids’ ears.

I’m reasonably happy with it, particularly since it’s my first effort. And I’m pleased by how far I’ve gone outside my comfort zone in putting this podcast together. However, to balance that happy pat-on-the-back, I’m including a ridiculous list of maybe-you-can-learn-from-my-mistakes. Because this sixteen minute podcast took me SIX hours to record and edit. Yep. And that doesn’t include time spent figuring out how to publish it online and write any accompanying text (like this blog post).

Now, I don’t have that much time to invest in something I’m only “reasonably happy with,” so I’ve been reflecting on what ate up so many hours. Answer = lack of adequate preparation and being a novice. Perhaps you can learn from these….

TIME SUCKS AND INEFFICIENCIES:

*I’m learning to edit using Garage Band on my Mac computer and it’s pretty straightforward….as long as you know what you’re doing. I would not recommend the learn-as-you-go approach that I took with Garage Band. If I could go back in time, I’d learn GB ahead of time and save myself a lot of frustrating moments, like when I deleted tracks accidentally, and recorded over sections that I liked, and messed things up in ways that I’m still unclear about. GB and I need to get up close and personal before the next podcasting.

*I also bought a really cool new microphone to use at home called the Blue Yeti. It’s an awesome plug-and-play mic and I feel all official using it. It also requires experimenting and refining which I didn’t do enough of ahead of time. When you listen to my solo in Episode 002, you’ll hear some of that experimenting happening during the episode which is not the best time to be fiddling around. I recorded in the kitchen during the day while my toddler napped and then went to my bedroom in the evening when the kids went to bed and then moved back down to the kitchen when my spouse went to sleep. Duh, the audio quality is different in my echo-y kitchen with glass table top compared to my bedroom where I was talking into a corner stuffed with pillows. You can hear the difference. Again, duh. Note: bedroom with pillow-corner was superior in audio-quality, but not as comfortable for me. Next time I’ll record in the same room during the entire process and keep a consistent distance from the microphone. Seriously, Tamara, pay attention to how far your face is from the microphone!

*You know what helps when you sit down to record a podcast? AN OUTLINE. And sometimes it helps even more to type out exactly word for word what to say. I know I have experience talking in front of groups, leading workshops, improvising, coaching folks and just enjoying a friendly one-on-one chat. I also have a lot to say about creativity and art-making and theatre and community and all the topics that Artist Soapbox will inevitably cover. However, I’m not sure why I was sooooooo positive that if I just thought about what I wanted to say beforehand, then I would open my mouth and the words would pour out fluidly and coherently. That did not happen. I wasted a lot of time doing re-takes until I finally sat down like an adult and made a darn outline with some key words and phrases. Right. I also practiced what I was going to say a few times because that HELPS. I swear, it was like Amateur Hour around here. In my defense, it was 1:00 am when I finished, and I’m usually only awake at that time if I’m giving birth….so it’s rare and I’m not at my best in the wee hours.

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Some of the podcast-y issues that cropped up were due to the fact that I’m a newbie, and some were issues that I should have anticipated and prepared for. Also, I’m not skilled enough with the editing software yet (see above) to fix my mistakes, so I must get everything right from the start.

Moving forward, I have a combination of recordings scheduled at Shadowbox Studio (with people who know what the hell they are doing) and at home (with a person who will eventually know what the hell she is doing). A home studio is really useful for odd-hours, solo recordings and managing schedule-craziness or conflicts.

The next several episodes will be interview style, and I’ll welcome the conversation with another person in the room. I originally thought my solo Episode 002 would be twenty minutes or longer, but I topped out at sixteen minutes and that felt like plenty for a first-go.

I hope you’ll keep listening. I hope you’ll learn from my mistakes and laugh along with me as I keep moving forward. I’m really excited about this new platform and having lots of fun with it. There’s much to learn about the art and science of podcasting, so I’m gonna keep plugging away.

I podcasted, and I liked it.

 

ARTIST SOAPBOX has been launched! Wheeee!

BIG NEW THING: I recorded a podcast, and I’m so excited that I couldn’t wait to share it. Seriously, I am SO excited. It took me an embarrassing number of hours to edit and put the first darn thing online, but I did it. It ain’t perfect, but that’s on me and my learning curve. More to come, more to come, more to come.

Me=tired. Good enough=Just fine

There’s still much to do with getting artwork, listing on iTunes, fixing the website, etc. but the link is online and it seems to work and it’s live. Anyhow, I’m getting there. I’m feeling grateful that there are so many incredible artists to converse with, and I can’t wait to do more. Special thanks to Greg Myer, Mara Thomas, and Jim Haverkamp for helping me launch.

Feel free to share if you’d like or just listen. There’s some good swearing, so it’s not for the kids.

EPISODE 001: Mara Thomas says Yes to Nothing

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ALSO:

So I didn’t:

I haven’t written Mother of the Year yet. And I still have some other projects that I didn’t wrap up. I’ll just say, almost everything is still pending.

So I did:

I did write another play in the meantime.

Onwards!